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Dec 24, 2011
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One of the most fascinating aspects of our slice of automotive culture has been to watch the maturation of the “import tuner”. While acknowledging that there are those who have been modifying imports since the cars first arrived in the states, our scene was largely defined in the first half of the 1990′s by magazines like Sport Compact Car and Super Street. Cars such as the 5th generation Honda Civic and the 2nd generation DSM twins were kings, as most of the iconic 90′s Japanese sports cars heralded today were out of the price range of the average import enthusiast.  These humble starting points, however, created opportunities for truly epic builds. These first generations of our scene built like they had something to prove; because frankly, they did. They were building the economy cars of the time and lacked the acceptance of the mainstream American performance community. Japanese cars were simply rice burners; most true Japanese performance was still out of reach, either economically or geographically. While the Japanese had established performance pedigrees decades prior, those series mostly took place in European or Asian venues.  Our Nascar Nation was not ready to accept that a Honda was anything but an economical way to get from point A to point B.

Stemming from this doubt, most builds were extreme attempts to take the car as far away from it’s original purpose as possible. Thus, the 90′s brought the outlandish body kits, the insanely complex and near ridiculous audio set-ups, and monstrous power builds. There wasn’t a big push for OEM+ because there generally wasn’t an American respect for these cars in their stock form.  Even looking at the JDM movement, which has been a part of the scene since the beginning, there was still a push for the car to be transformed into something different than its showroom presentation (even if this look was imperceptible by the average onlooker). These trends were shoved into the American mainstream through The Fast and the Furious in 2001 and the “ricer” connotation was cemented into our national mindset. The import scene gained the reputation as the problem child of the American automotive scene, a hive of adrenaline-driven teenagers determined to be scumbag motorists.

Fast forward 10 years and those same “ricers” are fully-functioning adults in American society. The angst is gone, but for many, the passion is still there. Additionally, there is a GT-R sold on American soil, Lexus sells a $375,000 sports car, and there are multiple imports that can be bought for $15k that could easily embarrass the exotics of twenty years ago. The scene has matured, and likewise, so have the builds. Many of today’s owners, having grown up with a deep respect for these brands, have finally been able to purchase the import halo cars, something that was only a dream a decade before. But with age comes maturity, and tastes change. The same person that may have been eager to build a car that could decimate all, is now happy to own a car for what is, focusing more on enhancements rather than overhauls. NSX owner Ginash George admits,

I remember in the old days when performance was valued much more then it is today. Not that it doesn’t have any value, but people now are more realistic with their goals. Back then, it seemed like everyone was aiming for some crazy HP benchmark. I don’t think people care that much like they used to.

engine

For Ginash, this project is about keeping the car clean within the natural lines and styling of the car. There obviously exists a deep appreciation for what this car is, not what it has the potential to be.  All of the modifications, with respect to the rarity of the car, are reversible. While it might be a stretch to assert that this mindset mimics the concours mentality of classic car owners, it certainly is a measurement of health for this scene. Our cars aren’t disposable body kit holders, but rather things to be preserved and maintained for future generations. And while it is admittedly easy for one to make that claim about the first modern Japanese supercar, the same mentality should (and does to some extent) apply to every car down the line. How many of us would willingly pay way too much for an unmolested Electron Blue Pearl 2000 Civic Si?  Or a twin-turbo Supra? Or a low mile Rx-7? Our community has reached the point where we realize the cars of our youth aren’t immortal. While there is and always be a place for huge, game-changing builds, there is an additional need for both appreciation and preservation of the cars that originally drew us in and continue keep our interest piqued.  We will never stop modifying our cars; ever. But don’t be afraid to grow up.

Our scene needs people like Ginash George to provide balance and inspiration. Balance allows for longevity. Without balance, we’d all just lose interest and move on, burned out by the constant one-up-manship and our own inability to maintain relevance in a scene fueled by radical change. If we, as enthusiasts, want our cars to be the next generation of classics, (just as our fathers’ muscle cars are now), there needs to be a healthy respect, from all of us, for the OEM+ build.  If we are still here, we’re all still ricers. The passion is still there, just all grown up.

Ginash George’s Imola Orange NSX

Engine

    • Cantrell Concepts Airflow Induction System
    • Custom TIG welded Test Pipes
    • GTone f1 v5.1 exhaust (stainless steel with factory issued titanium burnt single tips)
    • Science of Speed CF Intake Plate
    • Comptech Carbon Fiber Air Box lid
    • Honda JDM Coolant Expansion Tank Cover

Interior

    • Zanardi Shift Knob
    • NSX-R Mesh boot with CF Trim
    • Science of Speed Short Gear Stalk
    • Honda JDM Navigation Pod
    • AudioVox Back up Camera
    • Alpine 770 Touch Screen with Navi screen Mount
    • Alpine Navi/ Black Bird Docking Station
    • Nardi Deep Corn 330mm suede steering wheel with custom orange stitching
    • Works Bell Rapfix Steering Wheel Quick Release – Yoshioka Special Edition
    • Works Bell Team Orange Steering Wheel (leather) *discontinued model
    • Works Bell Team Orange Rapfix II Quick Release *discontinued model
    • Recaro Pole Positions (leather with custom orange stitch) with Science if Speed Speed Rails/Slider

Exterior

    • Downforce NSX-R Diffuser (painted semi-gloss black)
    • Downforce NSR-R CF Spoiler (with LED Brake Light)
    • McGard Black Spline Lugs & Locks
    • Downforce Rear Window Garnish
    • Front Lip and Rear Valance painted semi-gloss black
    • Shark Antennae
    • Custom Rear Tail lights LED Conversion

Suspension and Wheels

    • Yokohama S.Drive – 215/35/18 & 265/30/19
    • Advan RS- Dark Gunmetal 17×8 et37 (f) and 18×10 et35 (r)
    • Advan RZDF Platinum Black 18x8et37 (f) and 19×10 et35 (r)
    • Advan Center caps (low)- Glossy type (on RS’s)
    • Advan Center caps (low)- flat/brushed type (on RZDF’s)
    • McGard Black Spline Lugs & Locks
    • Tein Type Flex Coilovers
    • NSX-R chassis bars (Powdercoated Black)
    • Comptech 3-way Adjustable Sway Bars
    • Science of Speed Spacer kit for Sways
    • Umbrella Auto Design- Variable Ride Height Suspension Kit
    • Stoptech BBK Front/Rear (and ebrake)
    • Project Kics – R40 Neo Chro Extended Lug Nuts
    • STMPO NSX Targa Rear Strut Tower

 

 

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About the Author

Andy Carter

Andy Carter is a photographer, writer, and editor for Canibeat living in Macon, Georgia. He spends his days buried in Excel working for his university alma-mater. Besides automotive culture, Andy enjoys instrumental music, traveling with his wife, and good food.

Comments:

  1. Great Pics would love to own one some day…………

  2. This is a great article, it really explains what the import tuning culture has evolved into.

  3. great looking nsx love how your are keeping the balance with your car

  4. This is my absolute favorite car you guys have featured. Done to perfection.

  5. Absolutely gorgeous.
    I don’t even have the words available in my mind to describe the beauty of this car.
    Phenomenal car, incredible write-up.
    Keep doing what you’re doing – this is what the scene needs more of.

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